American, 1934 - 2023
Yvonne Jacquette was born on December 15, 1934, in Pittsburgh, Pennsylvania, and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. She lived and worked in New York City, as well as in Searsmont, Maine.
A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that developed into a defining element of her art. Her first nocturnal painting with an aerial perspective, East River View At Night (1978), inspired an ongoing exploration of the effects of bright lights, reflections, and indistinct objects set against surrounding darkness.
The city of New York was a special focus of Jacquette’s. In the 1980s and 1990s, she chartered planes from Teterboro Airport in New Jersey to circle the city while she sketched the scene below. She has also worked from the Empire State Building, and, from 1974 through early 2001, often used empty offices or an enclosed deck at the World Trade Center.
Jacquette painted aerial landscapes across the country, as well as city views in San Francisco, Chicago, Minneapolis, Philadelphia, Vancouver, Tokyo, and New Orleans. After a trip to Hong Kong in 1990, she began incorporating composite viewpoints into her work, realizing that she could better express the city’s many layers of complexity by creating new spatial configurations through multiple perspectives. After that, she continued to base her paintings on pastels made from direct observation, while frequently enlivening compositions through heightened color, repetition of certain elements, and manipulation of light, scale, and perspective. As she approached the rendering of space with greater freedom, her paintings became both more inventive and disjunctive, combining aspects of observation, memory, and imagination.
A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that developed into a defining element of her art. Her first nocturnal painting with an aerial perspective, East River View At Night (1978), inspired an ongoing exploration of the effects of bright lights, reflections, and indistinct objects set against surrounding darkness.
The city of New York was a special focus of Jacquette’s. In the 1980s and 1990s, she chartered planes from Teterboro Airport in New Jersey to circle the city while she sketched the scene below. She has also worked from the Empire State Building, and, from 1974 through early 2001, often used empty offices or an enclosed deck at the World Trade Center.
Jacquette painted aerial landscapes across the country, as well as city views in San Francisco, Chicago, Minneapolis, Philadelphia, Vancouver, Tokyo, and New Orleans. After a trip to Hong Kong in 1990, she began incorporating composite viewpoints into her work, realizing that she could better express the city’s many layers of complexity by creating new spatial configurations through multiple perspectives. After that, she continued to base her paintings on pastels made from direct observation, while frequently enlivening compositions through heightened color, repetition of certain elements, and manipulation of light, scale, and perspective. As she approached the rendering of space with greater freedom, her paintings became both more inventive and disjunctive, combining aspects of observation, memory, and imagination.
