American, b. 1962
The Wisconsin-born and based artist Michelle Grabner is known for her broad perspective developed as teacher, writer and critic over the past 30 years. The site where it all comes together is the studio. Her artmaking—which encompasses a variety of mediums including drawing, painting, video and sculpture—is driven by a distinctive value in the productivity of work and takes place outside of dominant systems. Grabner instead finds a creative center in operating across platforms and towards community.
Central to the work is process. Grabner uncovers new dynamic relationships through her visionary practice of repetition. With a deep attention to abstract patterns and all the metaphors they conjure, Grabner pushes the limits of compositional structures to discover the tipping point between stability and precariousness; between continuance and wondrous difference.
Grabner states of her work,“I have always been a painter who examines various power structures inherent in patterns and abstract arrangements. Because I believe that all forms are political, I have committed myself and 30 years of painting to re-articulating vernacular patterns in order to shift the unobserved into critical sight. This general overview has been foundational to my studio work since 1990.”
Michelle Grabner (b. 1962, Oshkosh, WI) received her MA in Art History and BFA in Painting and Drawing from the University of Wisconsin–Milwaukee, and an MFA in Art Theory and Practice from Northwestern University. She is currently Senior Chair of the Department of Painting and Drawing at the School of the Art Institute of Chicago, and was a Core Critic at Yale University in the Department of Painting and Printmaking from 2011 to 2014, returning to Yale in 2020 as a Visiting Artist.
In 2021, Grabner was awarded the prestigious Fine Arts Guggenheim Fellowship. Grabner is a regular contributor to Artforum, and is also the founder and co-director of two non-profit art spaces in Wisconsin, The Suburban and The Poor Farm, with her husband, artist Brad Killam.
Central to the work is process. Grabner uncovers new dynamic relationships through her visionary practice of repetition. With a deep attention to abstract patterns and all the metaphors they conjure, Grabner pushes the limits of compositional structures to discover the tipping point between stability and precariousness; between continuance and wondrous difference.
Grabner states of her work,“I have always been a painter who examines various power structures inherent in patterns and abstract arrangements. Because I believe that all forms are political, I have committed myself and 30 years of painting to re-articulating vernacular patterns in order to shift the unobserved into critical sight. This general overview has been foundational to my studio work since 1990.”
Michelle Grabner (b. 1962, Oshkosh, WI) received her MA in Art History and BFA in Painting and Drawing from the University of Wisconsin–Milwaukee, and an MFA in Art Theory and Practice from Northwestern University. She is currently Senior Chair of the Department of Painting and Drawing at the School of the Art Institute of Chicago, and was a Core Critic at Yale University in the Department of Painting and Printmaking from 2011 to 2014, returning to Yale in 2020 as a Visiting Artist.
In 2021, Grabner was awarded the prestigious Fine Arts Guggenheim Fellowship. Grabner is a regular contributor to Artforum, and is also the founder and co-director of two non-profit art spaces in Wisconsin, The Suburban and The Poor Farm, with her husband, artist Brad Killam.