American, b. 1973
Dyson’s abstract works explore the continuity between ecology, infrastructure, and architecture. Examining human geography and the history of Black spatial liberation strategies, Dyson grapples with the ways in which space is perceived, imagined, and negotiated particularly by Black and Brown bodies.
In addition to participating in group exhibitions, Dyson work was presented at the 13th Shanghai Biennale, and in solo exhibitions and installations at the Hall Art Foundation; Schloss Derneburg, Holle, Germany; Colby College Museum of Art, Waterville, Maine; Graham Foundation for Advanced Studies in the Fine Arts, Chicago; Schuylkill Center for Environmental Education, Philadelphia; Suzanne Lemberg Usdan Gallery, Bennington College, Vermont; and Serpentine Pavilion, Serpentine Galleries, London.
In addition to participating in group exhibitions, Dyson work was presented at the 13th Shanghai Biennale, and in solo exhibitions and installations at the Hall Art Foundation; Schloss Derneburg, Holle, Germany; Colby College Museum of Art, Waterville, Maine; Graham Foundation for Advanced Studies in the Fine Arts, Chicago; Schuylkill Center for Environmental Education, Philadelphia; Suzanne Lemberg Usdan Gallery, Bennington College, Vermont; and Serpentine Pavilion, Serpentine Galleries, London.