Betye Saar

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Betye Saar
Betye Saar
Betye Saar
American, b. 1926
Betye Saar is an American artist known for assemblage and collage works. With a found-object process like that of Joseph Cornell and Robert Rauschenberg, Saar explores both the realities of African-American oppression and the mysticism of symbols through the combination of everyday objects. “I'm the kind of person who recycles materials but I also recycle emotions and feelings,” the artist has explained. “And I had a great deal of anger about the segregation and the racism in this country.” Saar was a part of the Black Arts Movement in the 1970s, and her work tackles racism through the appropriation and recontextualization of African-American folklore and icons, as seen in the seminal The Liberation of Aunt Jemima (1972), a wooden box containing a doll of a stereotypical “mammy” figure. Saar’s symbolically rich body of work has evolved over time to demonstrate the environmental, cultural, political, racial, technological, economic, and historical context in which it exists.

Saar has won many awards for her artwork throughout her career. She received two National Endowment for the Arts Awards, in 1974 and 1984. Saar also received the J. Paul Getty Fund for the Visual Arts Fellowship, the Artist Award from the Studio Museum in Harlem in 1990, as well as the Distinguished Artist Award from Fresno Art Museum in 1993, and the Flintridge Foundation Visual Artists Award. In 2008, she was recognized for her career in art and community activism and was awarded the Lifetime Achievement Award in Fine Arts from the Congressional Black Caucus.

Born on July 30, 1926 in Los Angeles, CA, Saar studied at the University of California Los Angeles and the University of Southern California. She lives and works in Los Angeles, CA.