New York-based Polly Apfelbaum has exhibited extensively throughout North America and Europe. Known for her eye-popping colors and dynamic patterns, Apfelbaum works to blur the lines between painting, sculpture, and installation. Creating what she calls “fallen paintings,” many of her works are shown on the floor using vibrant hand-dyed fabrics. Apfelbaum's work explores the limitations of traditional disciplinary forms, approaches to abstract representation, and references to graphic pop cultural imagery. Increasingly she has worked in installations that combine a new interest in ceramic works, Oaxaca-woven textiles, and custom wallpapers.
Apfelbaum’s kaleidoscopic works feature lively color, geometric forms, and non-representational subjects, yet she rejected the aggressive masculinity of the Abstract Expressionist movement. Her work incorporates textiles, clay, found objects, and other tactile elements traditionally associated with craft and domesticity.
Apfelbaum studied painting and printmaking at the Tyler School of Art in Pennsylvania, receiving a B.F.A. in 1978. She moved to New York City, where she was inspired by installation art and worked to find a middle ground between sculpture and her two-dimensional training. She was influenced by artists including Helen Frankenthaler, Morris Louis, and Jackson Pollock, but Apfelbaum’s style incorporates energy, playfulness, and wit, as well as her love of popular culture and affirmative view of femininity.
The prolific artist has mounted nearly 60 solo exhibitions worldwide and has participated in hundreds of group exhibitions. She has received awards and grants from organizations including Anonymous Was a Woman, the Pollock-Krasner Foundation, and the Joan Mitchell Foundation.
