A Sunlit Hillside

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A Sunlit Hillside
A Sunlit Hillside
A Sunlit Hillside
TitleA Sunlit Hillside
Artist (American, 1858 - 1933)
Date1890
MediumOil on canvas
DimensionsUnframed: 25 × 21 in. Framed: 29 1/8 × 24 7/8 × 1 3/4 in.
SignedSigned at lower left: "Vonnoh 1890"
SubmissionNA diploma presentation, October 25, 1906
Credit LineNational Academy of Design, New York, NY
Object number1356-P
Label Text"A Sunlit Hillside" offers striking evidence of the transformation of Vonnoh's brushwork and palette which occurred around 1888. Composed of a textured jumble of colorful hatch marks, the sweeping hillside establishes the diagonal which anchors the work and is reiterated by the lines of the roofs and the tumbledown fence. The impastoed surface of acid greens, pinks, yellows, and purples finds its balance in the reduced, flat geometry of the buildings nestled into the slope at right. An absence of doors and windows stresses the abstract elements of this blocky configuration. Such qualities have prompted comparison of "A Sunlit Hillside" to the work of Paul Cézanne. The painting's lumpy facture and a remark of Eliot Clark recorded in Academy records identifying its location as Giverny have naturally led to discussion of Vonnoh's relationship to Claude Monet, as well. While aspects of the painting resemble known depictions of Giverny, May Brawley Hill has identified the buildings as the Moulin du Roi at Grez-sur-Loing.
Collections
  • 19th Century Highlights from the Collection
Bessie Potter Vonnoh
Robert William Vonnoh
1915
Francis Coates Jones
Robert William Vonnoh
n.d.
George M. Bruestle
Robert William Vonnoh
1927
Thomas Allen
Robert William Vonnoh
1885
Self-Portrait
Robert William Vonnoh
1900
Alexander Phimister Proctor
Robert William Vonnoh
1903
The Young Mother
Bessie Potter Vonnoh
1896
Hillside Shadows
Robert Kipniss
1997
Hendrik Dirk Kruseman Van Elten
n.d.
Landscape with Trees on a Hillside
William Trost Richards
c. 1880-1885
Across the River
Robert C. Spencer
c. 1916